I visited the Kraftwerk – Retrospective 1 2 3 4 5 6 7 8 at The Museum of Modern Art’s MoMA PS1. The exhibit featured an eight-channel video and sound installation especially developed for the exhibition, and was on display in the Performance Dome from April 12th through May 14th, 2012.
Ralf Hütter and Florian Schneider founded Kraftwerk In Düsseldorf in 1970 and set up the pioneering Kling Klang studio, where all Kraftwerk’s albums have been conceived and composed. By the mid-1970s, Kraftwerk had achieved international recognition for its revolutionary experimentation with sound and imagery. Its compositions, which feature distant melodies, multilingual vocals, robotic Beats, custom-made vocoders, and computer speech, anticipated the impact technology would have on art and everyday life, capturing the human condition in an age of mobility and telecommunication. Kraftwerk’s innovative looping techniques and mechanized rhythms, which had a major influence on the early development of hip-hop and electronic dance music, remain among the most commonly sampled sounds across a wide range of musical genres. Kraftwerk uses robotics and other technical innovations in its live performances, illustrating the belief that humans and machines make equal contributions in the creation of art.